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Neil Strauss Advice

 

You may want to make sure you read this article right now. I’m already having second thoughts about posting it.

 These are the kinds of things that run through my mind when procrastinating on looming book deadlines.

THE MEANING OF LIFE AND THE SECRET TO HAPPINESS
By Neil Strauss

Welcome to the most pretentiously titled article I have ever written.

What I enjoy about this website is that it’s a way for me to speak directly to you. It’s something I’ve never gotten to do before. Because whether writing for Rolling Stone or completing a book, I’ve always been forced to cleave closely to a defined structure and to carefully iron every idea, paragraph, phrase, word.

This column has no structure.

It has not been ironed.

You’ve been warned…

When I was in high school, I had a teacher who gave us a reading list of the best works of literature in the world. Number one on that list was the Bible. So during summer break, I decided to read the good book as literature. And one small section really struck me at the time: The Book Of Ecclesiastes.

It is the famous book in the Bible that begins “vanity of vanities, all is vanity,” something that should be posted over the entranceway to all L.A. clubs. It’s been heavily quoted in timeless songs, such as “Turn Turn Turn.”

And it’s basic philosophy is this, at least in my interpretation:

Work hard at your life and yourself. Be a good person, and enjoy everything there is under the sun. The author writes: “I searched in my heart how to gratify my flesh with wine, while guiding my heart with wisdom…I made my works great, I built myself houses, and I planted vineyards….gardens…orchards... I became great and excelled.”

But, in his old age, he surveys his labors: “I looked on all the works that my hands had done and on the labor in which I had toiled, and indeed all was vanity and grasping for the wind.”

No, this is not a sermon. Keep reading. Neither is this a Buddhist message about renouncing the material world. Because, in the end, the speaker in the Book of Ecclesiastes decides: “Eat your bread with joy and drink your wine with a merry heart… Let your garments always be white and let your head lack no oil… Live joyfully with the wife whom you love…Whatever your hand finds to do, do it with all your might, for there is no work or device or wisdom in the grave where you are going.”

So what God is saying here is get drunk. It’s totally cool. Just clean up afterward.

Actually, the message is this (in my crude non-scholarly analysis): Find a life to live, find a woman to love, find a place to work—and live to your fullest, love to your greatest capacity, work your hardest, and be a good person. Then die knowing nothing will have really made a difference in the overall scheme of things.

This may not necessarily be my belief, or yours, but here’s the takeaway: if all is vanity, then stop making yourself miserable – just keep busy and be happy.

That, of course, leaves the question: What should we be doing with this time, and how do we stay happy?

So let’s leave the Bible and return to the present age.

First of all, don’t expect to be happy all the time. If you’ve ever had a pet, you’ll notice that the pet doesn’t complain when it’s hurt or in pain. The human animal is the only one that says, “Why me?” -- as if it is our birthright to be happy all the time.

Sometimes we’re sad or angry or depressed. But if rather than fighting against it, like it’s wrong and some kind of disorder, you just relax into the emotion and ride it through until it’s over, it doesn’t have to be a gut-wrenching experience. It’s good to experience these extreme emotions: it let’s you know you’re alive and feeling.

Of course, we’d all like to stay positive and happy and content as much as possible. It’s especially useful to be in this state when interacting socially, because it’s the best way to attract other people to you.

So how does one stay in this state?

My secret: Balance.

Even if you love your work, you can’t spend the entirety of every day working. You can’t spend it sarging either, as fun as that may be. However, you’ll find that if each day, you productively do something in each of the following areas, your mood and confidence and charisma and happiness and inner game will skyrocket:
  • Work
  • Physical (exercise, running, swimming, a sport)
  • Social (and, yes, that can include your Stylelife field assignments)
  • Creativity or Education (whether it’s writing, making music, cooking, programming, taking classes, or learning another language)
  • Relaxation, whether it’s reading a book or watching TV or staring at the wall and contemplating life or lying in the sun and thinking about nothing.

Make a list of the specific things that make you happy and balanced in each of these categories, and then make an effort to comfortably fit them all into your schedule at least five days a week. Most of these areas don’t need to take more than half an hour each day. And chances are you’re doing at least two of them a day anyway.

If you find that days are passing by and you’re not exercising or socializing, for example, you may need to actually write out a daily schedule for yourself and then stick to it.

And, finally, if you’re one of those people who says they have no time, chances are that the problem may not be time but time management. Start keeping track of exactly what you do each day and for how long. Actually write it down on a sheet of paper: how much time you spend eating breakfast, how much time you spend checking emails, what you’re doing with your time at work. Then see where the inefficiencies are and eliminate them.

And then, of course, die. It’s all vanity anyway. But it’s fun, you get one chance, and you might as well start making the most of it right now, before it’s too late.

Yours,

Neil Straus
 
 
I wrote the following article for Amazon. Many people write and ask for seduction book recommendations, but, oddly, no one’s ever asked for rock book recommendations.

 So, in order to accommodate no one’s request, I’ve provided just such a list.

TOP ROCK BOOKS

HISTORY

Donald Clarke, The Rise and Fall of Popular Music

Robert Palmer, Deep Blues

Charles Gillett, The Sound of the City: The Rise of Rock and Roll

Peter Guralnick, Sweet Soul Music

These four books are great primers for any journey into rock. The Rise and Fall of Popular Music provides great context, tracing American music from the minstrel shows through Tin Pan Alley, the Jazz Age, the swing era, and the rock explosion, which is where Clarke begins to falter. That’s why it’s necessary to get the rest of the story from the seminal The Sound of the City. Focusing in more narrowly, Deep Blues remains the essential starting point, an easy, intelligent, and compassionate exploration of rock’s humble origins in the Delta blues of Robert Johnson and Muddy Waters. The classic Sweet Soul Music by Guralnick (whose Elvis biographies are also recommended) chronicles the music that developed parallel to rock and roll, focusing on the heart-melting vocals of Sam Cooke, Solomon Burke, an Otis Reddding.

BIOGRAPHY

Stephen Gaines, Heroes and Villains: The True Story of the Beach Boys

Stephen Davis, Hammer of the Gods: The Led Zeppelin Saga

Danny Sugerman and Jerry Hopkins, No One Gets Out Alive: The Biography of Jim Morrison

Dave Marsh, Before I Get Old: The Story of the Who

Charles Shaar Murray, Crosstown Traffic: Jimi Hendrix and the Post-War Rock and Roll Revolution

Heroes and Villains, Hammer of the Gods, and No One Gets Out of Here Alive constitute the holy trinity of rock biographies. These books are page-turners that set the standard for the rock and roll lifestyle. And, no matter how you feel about the artist going into these books, you’ll turn the last page with a lust for their box set and a new appreciation for your own humdrum life in comparison. As for Before I Get Old and Crosstown Traffic, these seminal bios stand out for providing not just the story of a band or an artist but the cultural context from which the music sprang.

CRITICISM

Greil Marcus, Mystery Train: Images of America in Rock and Roll Music

Joe Carducci, Rock and the Pop Narcotic

Lester Bangs, Psychotic Reactions an Carburetor Dung

Nelson George, The Death of Rhythm and Blues

Richard Meltzer, The Aesthetics of Rock

Chris Cutler, File Under Popular: Theoretical an Critical Writings on Music

Where Nelson George imbues music history with a thesis and Chris Cutler imbues a historical thesis with music, Bangs, Meltzer, and Carducci remain critic’s critics. Their highly personal, densely coded, stubbornly humorous, stream-of-super-consciousness prose (Bangs more than Meltzer, Meltzer more than Carducci) is essential reading for anyone who wants to write criticism – or, for that matter, anyone who can name two bands on the No New York compilation or who likes to spell the second person possessive adjective yer. Mystery Train in the meantime remains among the greatest and most accessible serious critical works ever written about rock and roll.

FRINGES

Jon Savage, England’s Dreaming

Legs McNeil and Gillian McCain, Please Kill Me: The Uncensored Oral History of Punk

Valerie Wilmer: As Serious As Your Life: John Coltrane and Beyond

Michael Nyman, Experimental Music: Cage and Beyond

Please Kill Me , which chronicles the birth of punk and the CBGB scene, remains one of the most compulsively readable books of its ilk, while England’s Dreaming tells a more historically minded story of the rise of punk in the UK. As Serious As Your Life is as good an argument for the importance of free jazz as there is. And, as for Experimental Music, I checked this book out of a library when I was eighteen and it opened up a new world to me. I never knew before who wide the parameters of music and instrumentation could be stretched. Since then, I’ve been on a desperate search for a copy I could call my own. If you find one, do let me know.

BUSINESS

Fredric Dannen, Hit Men (Vintage)

Russell Sanjek, Pennies From Heaven: The American Popular Music Business in the Late Twentieth Century

Donald Passman, Everything You Need to Know About the Music Business

End your study with a look at the music business. Hit Men remains the ultimate page-turner on the dark side of the industry; Pennies From Heaven is the painstakingly researched history of music as a medium, beginning with Thomas Edison and ending (at least the edition I last read) with digital revolution and label consolidation; and Passman’s book (along with This Business of Music) is an essential library book for anyone who wants still wants to get involved with the industry, despite the grim pictures painted in so many of the books on this list.
 
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